4,073 Royalty-Free Audio Tracks for "Nylonstring A Open"

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Variatio 30 a 1 Clav. Quodlibet by Kimiko Ishizaka
Author: Kimiko Ishizaka
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02:46
Variatio 24 a 1 Clav. Canone all'Ottava by Kimiko Ishizaka
Author: Kimiko Ishizaka
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02:20
Variatio 23 a 2 Clav. by Kimiko Ishizaka
Author: Kimiko Ishizaka
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02:27
Variatio 28 a 2 Clav. by Kimiko Ishizaka
Author: Kimiko Ishizaka
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04:60
Aria by Kimiko Ishizaka
Author: Kimiko Ishizaka
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01:39
Variatio 6 a 1 Clav. Canone alla Seconda by Kimiko Ishizaka
Author: Kimiko Ishizaka
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02:17
Variatio 14 a 2 Clav. by Kimiko Ishizaka
Author: Kimiko Ishizaka
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04:15
Variatio 13 a 2 Clav. by Kimiko Ishizaka
Author: Kimiko Ishizaka
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01:52
Variatio 27 a 2 Clav. Canone alla Nona by Kimiko Ishizaka
Author: Kimiko Ishizaka
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01:46
Variatio 10 a 1 Clav. Fughetta by Kimiko Ishizaka
Author: Kimiko Ishizaka
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02:04
Variatio 2 a 1 Clav. by Kimiko Ishizaka
Author: Kimiko Ishizaka
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01:26
Variatio 19 a 1 Clav. by Kimiko Ishizaka
Author: Kimiko Ishizaka
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02:07
Variatio 9 a 1 Clav. Canone alla Terza by Kimiko Ishizaka
Author: Kimiko Ishizaka
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02:10
Variatio 11 a 2 Clav. by Kimiko Ishizaka
Author: Kimiko Ishizaka
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01:35
Variatio 5 a 1 ovvero 2 Clav. by Kimiko Ishizaka
Author: Kimiko Ishizaka
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01:33
Variatio 22 a 1 Clav by Kimiko Ishizaka
Author: Kimiko Ishizaka
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04:33
Variatio 15 a 1 Clav. Canone alla Quinta by Kimiko Ishizaka
Author: Kimiko Ishizaka
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02:06
Variatio 20 a 2 Clav. by Kimiko Ishizaka
Author: Kimiko Ishizaka
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02:13
Variatio 7 a 1 ovvero 2 Clav. by Kimiko Ishizaka
Author: Kimiko Ishizaka
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01:57
Variatio 3 a 1 Clav. Canone all'Unisuono by Kimiko Ishizaka
Author: Kimiko Ishizaka
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01:57
Variatio 8 a 2 Clav. by Kimiko Ishizaka
Author: Kimiko Ishizaka
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02:16
Variatio 12 Canone alla Quarta by Kimiko Ishizaka
Author: Kimiko Ishizaka
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02:10
Variatio 29 a 1 ovvero 2 Clav. by Kimiko Ishizaka
Author: Kimiko Ishizaka
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05:41
Away in a Manger (jazz rendition) performed by the Airmen of Note of the United States Air Force Band. Track 10 from Christmas Time is Here (1998). Recorded at the Center For The Arts, George Mason University, January 24-27, 1998. Credits: Alto Saxophone – Technical Sergeant Andy Axelrad* Alto Saxophone [Lead] – Senior Master Sergeant Joe Eckert* Baritone Saxophone – Master Sergeant Don New* Bass – Master Sergeant Paul Henry* Bass Trombone – Master Sergeant Dudley Hinote* Directed By – Chief Master Sergeant Peter C. BarenBregge* Drums – Senior Master Sergeant C. E. Askew* Engineer [Assistant] – Master Sergeant Kendall Thomsen* Engineer, Edited By – Bruce Leek Guitar – Technical Sergeant Shawn Purcell* Layout [Graphic] – Master Sergeant Dudley J. Hinote*, Master Sergeant Judith J. Thompson*, Technical Sergeant Robert K. McConnell* Liner Notes – Chief Master Sergeant Peter C. BarenBregge* Mixed By – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Percussion – Master Sergeant Pat Shrieves* (tracks: 2, 4 to 11) Piano – Master Sergeant Wade Beach Jr.* Producer – Senior Master Sergeant Mike Crotty*, Chief Master Sergeant Peter C. BarenBregge* Tenor Saxophone – Senior Master Sergeant Saul Miller Jr.* Tenor Saxophone [Lead] – Chief Master Sergeant Pete BarenBregge* Trombone – Technical Sergeant Jeff Martin* Trombone [Assistant Lead] – Technical Sergeant Ben Patterson* Trombone [Lead] – Master Sergeant Joe Jackson* Trumpet – Master Sergeant Rich Sigler*, Technical Sergeant Tim Leahey* Trumpet [Assistant Lead] – Master Sergeant Dave Detwiler* Trumpet [Lead] – Master Sergeant Bruce Gates* Vocals – Master Sergeant Tracey Wright*
Author: Composition: James Murray; Arrangement: TSgt Alan Baylock; Performance: United States Air Force Band, Airmen of Note; Recording: United States Air Force
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America the Beautiful performed by the Singing Sergeants of the United States Air Force Band. Track 14 from Finding North (2019). Selections recorded November 2018 at Hylton Memorial Chapel in Woodbridge, VA. Credits: Co-producer – Brandon Hults (tracks: 2nd Lt. Brandon Hults), 1st Lt. Philip Emory* Engineer [Senior Recording Engineer], Mixed By, Mastered By – Bruce Leek Executive Producer – Larry H. Lang (tracks: Colonel Larry H. Lang) Music Director, Conductor [Enlisted] – Master Sgt. Taylor Armstrong* Producer [Assistant] – Master Sgt. Benjamin Park* Production Manager [Chief] – Chief Master Sgt. Ryan Carson*
Author: Composition: Samuel A. Ward; Arrangement: Chief Master Sgt. (Ret.) Michael Davis; Lyrics: Katharine Lee Bates; Performance: United States Air Force Band, Singing Sergeants; Recording: United States Air Force
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We Wish You a Merry Christmas performed by Starlifter and Roots in Blue of the United States Air Force Band of Mid-America. Track 10 from the ensembles' 2020 album The Spirit of the Season.
Author: Composition: SSgt Tim Davis and SrA David Duneman, traditional; Mixing and Mastering: SSgt Tim Davis; Performance: United States Air Force Band of Mid-America, Starlifter and Roots in Blue
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06:32
Yes, Virginia, There Is A Santa Claus performed by the Concert Band of the United States Air Force Band of Mid-America. Track 6 from A Musical Christmas (2007).
Author: Composition: not listed; Performance: United States Air Force Band of Mid-America, Concert Band; Recording: United States Air Force
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It Came Upon a Midnight Clear performed by the Singing Sergeants of the United States Air Force Band. This arrangement also includes "Away in a Manger". Track 11 from Light One Candle (2004).
Author: Composition: Richard Storrs Willis, James R. Murray, Robert Thurston; Lyrics: Edmund Sears; Performance: United States Air Force Band, Singing Sergeants and Concert Band; Recording: United States Air Force Band
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The song Old McDonald Had A Farm, performed by Gid Tanner and his Skillet Lickers
Author: Unknown authorUnknown author
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Regular diatonic tuning 72-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS. In 12-tone, T=200 cents and S=100 cents. In 72-tone, T=233.3 cents and S=16.6. This is that scale: C = 0 D = 233.3 E# = 466.6 F# = 483.3 G = 716.6 A = 950 B# = 1183.3 C = 1200
Author: Hyacinth
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Regular diatonic tuning 53-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.
Author: Hyacinth
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00:16
Regular diatonic tuning 31-tone. A regular diatonic tuning is five "whole tones", T, and two half tones, S, arranged in any rotation of TTSTTTS.
Author: Hyacinth
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00:29
For he's a jolly good fellow
Author: Melody: trad.; setting & sound file: Rabanus Flavus (Peter Gerloff)
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The hymn "Eternal Father, Strong to Save", sung a capella by the U.S. Navy Band Sea Chanters ensemble
Author: Words: William Whiting (1825–1878) Tune: "Melita" by John Bacchus Dykes (1823–1876) Performance: U.S. Navy Band
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04:60
A piece from Johann Sebastian Bach's Goldberg Variations, released by the Open Goldberg Variations project.
Author: Composer: Johann Sebastian Bach; Performer: Kimiko Ishizaka
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A Hard Day's Night opening chord: F9. Created by Hyacinth (talk) 03:11, 14 September 2012 (UTC) using Sibelius 5.
Author: Hyacinth
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Anchors Aweigh played by the United States Naval Academy Band in 1969.
Author: Untitled
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02:14
Ελληνικά: Φούγκα 19. από το Καλά Συγκερασμένο Κλειδοκύμβαλο Ι του Γ. Σ. Μπαχ. Fugue 19 from Bach's The Well-Tempered Clavier.
Author: . Original uploader was Skalk at el.wikipedia
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Public domain music from musopen.com Q: What restrictions are there for the music downloaded from this site, can I edit it? Share it? Use it for a film project? A: The music on this site is given a public domain license, therefore, there are technically no restrictions on what you do with it. We do ask, out of courtesy, two things. One, that you do not directly sell our recordings for profit, as a great amount of work has been donated to this project, and for the benefit of the public, not profit. Two, we ask that any commerical or derived works attribute Musopen somewhere, to give credit to this project. And for all the film students emailing, yes you may use it in your film, you can then sell the film, containing our music. It's in the public domain afterall. -- http://www.musopen.com/faq.html Musopen has requested in-line attribution in any article this file is used in.
Author: Untitled
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